Showing 13–24 of 149 results
Best European Fiction 2017$17.00
This anthology is the essential resource for readers, critics, and publishers interested in contemporary European literature.
Beyond Elsewhere, a verse narrative that speaks of exile, is the odyssey of a soul in search of the absolute, the epiphany of being in love that represents a moment in eternity, at once of distress and salvation, a beacon on one’s path.
Bilbao – New York – Bilbao$12.56
Bilbao–New York–Bilbao takes place during a flight to New York and tells the story of journeys by three generations of the same family. The key to the book is Liborio’s fishing boat, the Dos Amigos: who are these two friends, and what is the nature of their friendship? Through letters, diaries, emails, poems and dictionaries, Kirmen creates a mosaic of memories and stories that combine to form a homage to a world that has almost disappeared, as well as a hymn to the continuity of life. It is also a reflection on the art of writing, and lies between life and fiction.
Bird, Blood, Snow$11.30
Bird, Blood, Snow: New Stories from the Mabinogion
“…a remarkably interesting interpretation of this legendary hero’s doing indeed” – The Bay Magazine
Breathing into Marble$12.31
Breathing into Marble is a dark and poetic story of love, family, deception and death.
Winner of the European Union Prize for Literature
Calligraphy Lesson is the first English-language collection of short stories by Mikhail Shishkin, the most acclaimed contemporary author in Russia. Spanning his entire writing career, from his first published story, “Calligraphy Lesson,” which heralded an entirely new voice in post-Soviet Russian literature and won him Russia’s prestigious Debut Prize in 1993, to “Nabokov’s Inkblot,” written in 2013 for dramatic adaptation by a theater in Zurich. Shishkin is a master prose writer, a completely unique stylist, and heir to the greatest Russian writers, such as Tolstoy, Bunin, and Pasternak.
Captivity$14.99 – $29.99
A literary sensation, György Spiró’s Captivity is both a highly sophisticated historical novel and a gripping page-turner. Set in the tumultuous first century A.D., between the year of Christ’s death and the outbreak of the Jewish War, Captivity recounts the adventures of the feeble-bodied, bookish Uri, a young Roman Jew.
Daniel’s Beetles is the author’s translation of his prizewinning novel, Pryfeta. Daniel is six. One afternoon, while playing with insects in the garden, he sees his father fall to his death. Is he upset? It’s difficult to say, because Daniel would prefer to attend to his beetles. Forty years later, he remembers nothing of the event. But two failed relationships and his elderly mother’s confusion bring Daniel face-to-face with his demons. Then he meets Cerys and Dr Bruno and discovers a bold new way of regaining control over the past.
Published shortly after the First World War and before Siddharta and Steppenwolf, Demian marks a significant turning point in Hesse’s literary career. It is the first time Hermann Hesse used the novel overtly as a means to explore ideas of the self, the meaning and purpose of existence, as well as his own ideas and interpretations of theosophy and Eastern Philosophy. As such it is ranked among the finest of his works.
Divan of Ghalib$18.00
Wijnberg creates an astounding edifice filled with mirror-rooms and concealed doors; the entrance may not be easy to find but inside there are treasures of the utmost importance. The further you go, the more you find. The result is one of astonishing richness as he takes on the original Divan of Ghalib and renders it his own much as Robert Bly absorbed the lessons of Ghalib and created his own Ghazals.
In a junkyard on the outskirts of Prague, a painter stumbles across a mysterious wooden object. As he begins to notice the object’s strange shape reproduced in various places around the city, he realizes that it holds the key to uncovering the truth about the recent disappearance of a young girl.
Europe in Sepia$13.95
Hurtling between Weltschmerz and wit, drollness and diatribe, entropy and enchantment, it’s the juxtaposition at the heart of Dubravka Ugresic’s writings that saw Ruth Franklin dub her “the fantasy cultural studies professor you never had.”